Meiway – a.k.a Monsieur Zoblazo or The Genius of Bassam – rules dancefloors all the way across Africa.
Ratcheting up zoblazo (a catchy rhythm from southern Ivory Coast), Meiway has forged his own signature style throughout a career that has spanned almost fifteen years.
His zoblazo may vary from 200% to 800%, but there’s no doubt about it, Meiway is the zoblazo king forever!…[more]
Séun Anikulapo Kuti has made sure that his late father’s (Fela Anikulapo Kuti) ‘Afro beat’ musical brilliance and his band Egypt 80, are kept alive.
Séun performs music from both his father’s repertoire and his own. He is an exact replica of his father — Fela Anikulapo Kuti (born Olufela Olusegun Oludotun Ransome-Kuti, October 15, 1938 - August 2, 1997), or simply Fela, who was a Nigerian multi-instrumentalist musician and composer, pioneer of Afrobeat music, human rights activist, and political maverick….
Seun Anikulapo Kuti & Egypt 80 Performing in Dakar, Senegal
From Wikipedia: The American Black Power movement influenced Fela Anikulapo Kuti’s political views. He was also a supporter of Pan-Africanism and socialism (although in a 1982 documentary he can clearly be seen rejecting both capitalism and socialism in favour of a third way that he described as Africanism), and called for a united, democratic African republic.
He was a fierce supporter of human rights, and many of his songs are direct attacks against dictatorships, specifically the militaristic governments of Nigeria in the 1970s and 1980s. He was also a social commentator, and criticized his fellow Africans (especially the upper class) for betraying traditional African culture. The African culture he believed in also included having many wives (polygyny) and the Kalakuta Republic was formed in part as a polygamist colony.
He defended his stance on polygyny with the words; “A man goes for many women in the first place. Like in Europe, when a man is married, when the wife is sleeping, he goes out and fucks around. He should bring the women in the house, man, to live with him, and stop running around the streets!.”
His views towards women are characterized by some as misogynist, with songs like “Mattress” typically cited as evidence. However, he also extols African womanhood in his song “Lady,” singing “Lady na (is) master.” It should be noted though that Fela was very open when it came to sex, as he portrayed in some of his songs, like “Open and Close” and “Na Poi.”
Fela once ran for the presidency of Nigeria on a platform of — Legalized Marijuana. The military Junta promptly locked him up! — – [more]
Fela Anikulapo Kuti — In Political Mood: Lamenting a corrupt Nigerian Govt.
Sadly, this great African Musician died in on on Saturday, August 2, 1997, at 4pm (local time) in Lagos, Nigeria. It had been rumoured for some time that Fela had a serious illness he was refusing treatment for, many said he was suffering from prostate cancer. But as it turns out, Fela died from complications due to AIDS. As Fela’s brother, Olikoye Ransome Kuti, said at a news conference: “The immediate cause of death of Fela was heart failure, but there were many complications arising from the acquired immunodeficiency syndrome.”…[more]
RELATED:
1. From AfroPop.Org — Séun Kuti & Egypt 80, North American Tour and NYC Debut 2007: Séun Kuti and Egypt 80 - his father Fela’s fabled afrobeat band - wowed an exuberant sold-out crowd as they made their New York City debut on July 1st, 2007 at SOB’s.
Everyone was very curious to see what Séun was like, and man, he did not disappoint. What a performer! Singer, sax player, charismatic, bright, and a joyful, quirky dancer - this guy has it all. Someone in the crowd was overheard saying, “A star is born.” Séun shined performing both Fela’s repertoire and his own. Banning Eyre’s photographs tell the story.
Meiway (Frederic Desire Ehui) a.k.a “Monsieur Zoblazo” or the “Genius of Bassam”; was born on March 17th, 1962 in Grand-Bassam, a coastal town west of Abidjan, in the Ivory Coast. His signature music style is “Zoblazo,” a catchy rhythm from southern Ivory Coast. Read the full story
Performing in French, Lingala, Kiswahili and other native Congolese languages, Franco was a master of Rumba [African Rumba], a style of music that originated in Congo, and evolved into Soukous music
Franco accentuated the “Afro-Latin” beat — a complex mixture of Cuban sons, boleros and Congolese folk music.
Sadly, Congolese maestro, the “sorcerer of the Guitar,” the “Grand Maître of Zairean Music,” Luambo Luanzo Makiadi, died in a hospital in Brussels, Belgium, in 1989 at the age of 51. Just before his death, he recorded his AIDS-consciousness anthem “Attention Na SIDA” [Beware of AIDS]. Although never officially mentioned [taboo], Franco’s death was HIV related.
Africa lost a “Music Goliath.”
Many, if not ALL modern Congolese musicians from Music rich Zaire [Now DRC -- Democratic Republic of Congo] owe their success to L’Okanga La Ndju Pene Luambo Luanzo Makiadi.
Among Franco’s proteges were Lutumba Simaro Massiya [a.k.a. Le Poet], for many years, his deputy band leader. Lutumba succeeded Franco after his death, but after quarrels with Franco’s family, quit to form Bana OK — together with fabulous Franco proteges like — Josky Kiambukuta, Ndombe Opetum, Malage de Lugendo and Ntessa Dalienst.
Below is Malage de Lugendo performing one of Franco’s classics - “Infidelite Mado,” With Shiko Mawatu doing a very “credible imitation” of Franco’s guitar work - at a recent performance by the band “Soukous Stars,” in New Jersey [USA].
Many have tried to emulate Franco’s style, but none will ever do it quite like him, instead African Rumba has evolved into “Soukous” and “Techno-Soukous,” which are more up-tempo. Here is Techo-Soukous star, Awilo Longomba performing his hit — Karolina.
