Tag Archive | "DRC"

Congo-Zaire For Obama — Featuring Koffi Olomide

Tags: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,


Tribute To Barack Obama — By The North America Congolese Community

Who is Koffi Olomide?

Koffi OlomideCongolese singer Koffi Olomide, is one of Africa’s best-selling artists. After completing a maths degree in Paris, he moved back home to become one of the continent’s most controversial musical figures, clashing with the ruling regime in Zaire (DRC - Democratic Republic of Congo) and finding his music banned for obscenity in Mali.

Antoine Koffi Olomidé (born August 13, 1956), is a soukous singer, producer, and composer. Born in Kisangani, Democratic Republic of Congo to a Congolese mother and a Sierra Leonean father, Koffi grew up in Kinshasa.

While studying in Paris, he began playing the guitar and writing songs. On his return to Congo he was a member of Viva la Musica, Papa Wemba’s band. Koffi re-popularized the slower style of soukous, which had fallen out of fashion.

He dubbed this style Tcha Tcho, and it gained popularity outside Congo. Koffi’s music can be quite controversial, taking on current events and topics considered taboo in some conservative societies. He has also participated in the salsa music project Africando. Koffi has won four Kora Awards in South Africa and also won the best artist in central Africa. He is married and the father of four children.

   [Map of DRC-Congo][Enlarge]

Koffi Olomide, also known by a plethora of other names such as Large Degaire, Akram Bourge, Gralibane Maji, Le Grande Mopao, Le Shakespeare Du Zaire, Nkolo Lupemba, Mokonzi etc., is arguably the most talented African singer, producer and composer of the 1990s..

He has dominated music charts across the continent and abroad with a combination of his deep baritone voice, sophisticated arrangements, blending old school rumba and smooth keyboard melodies as well as a searing guitar climax.

His compositions are classy and appeal to a wide spectrum of fans worldwide.

His songs delve deep into a wide variety of topics including love, politics, technology and even religion. In each song he discusses his feelings about such diverse topics while expressing confused feelings about mythical beasts and dream like fantasies.

Names of famous people like Bill Gates, Silvio Berlusconi, Saddam Hussein and even George Weah are mentioned.

Indeed He himself said you have to understand the words to fully appreciate his songs. More so, he has a keen sense of fashion and extensive sapeur wardrobe as well as a personality to match….[ read more here ]

Koffi Olomide in Action

Danger De Mort

Skol Longitima

Pharmacien

Koffi Olomide Live au Gabon : Bande Annonce

Want more video? GO HERE

Popularity: 5% [?]

Sphere: Related Content

Spotlight On The Venerable Singer/Composer Tshala Muana

Tags: , , , , , , , , , , , , , , , ,


Talabayi

The leading singer of “Mutuashi,” the Afro-Cuban-influenced dance music of the Democratic Republic of the Congo, Tshala Muana is known for her sensuous stage outfits and extremely sexy dancing. The Baluba folk music tradition has also played an important role in the development of Muana’s sound. ~ Craig Harris, All Music Guide

From: Pan-African News Wire by Abayomi Azikiwe

TSHALA MUANA: A Musical and Political Biography From the Democratic Republic of Congo

Very few Congolese artists have made it from Le Belle Epoche to the present day Congolese music scene with their fan base still intact while also picking up new fans along the way.

Many have passed away, while others simply lost their popularity over the years as the music of the Congo continued to go through changes. Tshala Muana is one such artist who has stood the test of time. Not only has Tshala Muana wowed audiences for years with her music she has been a advocate for political and social change in the Congo and has even had to flea the country because of her views and political work.

She was born Elizabeth Tshala Muana on March 13, 1958, in the Kasai section of the Congo the 2nd of 10 children. As a child she was very much into dance and the music of her native Kasai. Once she completed secondary school her love for music and dance grew and she dreamed of bringing the unique sounds of Kananga (her native village) called MUTUASHI to other parts of the Congo and eventually the world….[MORE]

| More African Music Video |

Popularity: 18% [?]

Sphere: Related Content

Xenophobia: Is South Africa the exception?

Tags: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,


By Khamati Shilabukha

In the past few years, there have been efforts to re-position Africa in the globalising world to take care of relationships among its states and the rest of the world.

The association of African states was restructured from the Organisation of African Unity, to the African Union. Many would argue that this is merely a change in name and not in the character of the organisation.

Proponents of the “new” outfit argue that it is meant to generate a new awareness of who we are. Many also hold the view that Africans are too divided to evolve into a meaningful regional identity.

This argument stems from the myriad conflict situations in the continent. The conflicts are both intra-national and international, with the former more prevalent.

Intra-national conflicts are often the result of internal (political/economic) power squabbles. Sierra Leone, Liberia, DRC, Rwanda, Madagascar, Central Africa Republic, Algeria, Ivory Coast and Kenya are some examples of countries that have experienced such conflicts. They have all received adequate media coverage. But the other genre of conflict has not received the same kind of coverage, yet it is crucial in the pursuit of a global and modern Africa.

This conflict derives from all forms of discrimination including racism and xenophobia. It is vicious and has gone on for some time. These forms of discrimination are serious, and efforts have been made to put them on the global agenda.

The most appropriate example is the current attacks on foreigners in South Africa. The question that begs answers is, why at this time in Africa? All sectors of a society have an obligation to contribute to the resolution of this conflict. We need to examine the extent to which as leaders, scholars and policy makers, we can intervene in this scourge called xenophobia.

It is argued that xenophobia is a result of poor intercultural communication. Members of one culture do not understand, appreciate and accommodate those from another culture. They lack adequate information to deal with such people with the least stress and threat.

But acquiring such information does not come easy and the poor management of communication often leads to strife. This could be the case in South Africa. One major source of information that allows us a wide world view and a more holistic perception and appreciation of others is the mass media. But the mass media, as inanimate objects, cannot do anything. It is those who use and manipulate them that can make the difference.

Xenophobia is a global problem. Although the phenomenon is ubiquitous in contemporary societies, its targets vary across countries and nations. It is such that even those who have been a subject of hate also develop hatred for others. But how does this hatred come about? Anthropologists and other social scientists posit that a population composed mainly of foreigners is an environment in which xenophobia can easily thrive.

They distinguish three theoretical approaches to the rise and diffusion of hatred. The first relates to socio-economic status of individuals, the second pertains to their cultural identity and the third the general attributes of society.

Source of hatred

The first approach derives from the “power theory” – a paradigm that views the relationship between groups as a function of their competitive positions. This concept suggests that a threat of one particular group to another is a source of hatred. When people feel insecure in the face of threat, they portray resentment and hate. But here, the intensity of hate need not necessarily depend on real competition on the job market but on the perception of threat. This is sufficient ground to induce animosity. Much of this is absent in the South African situation.

The cultural symbolic approach holds that animosity towards the other is not a consequence of economic competition between rival groups. It is a product of early political and value socialisation. The main issue here is the fear of loss of social status and identity.

Thus, cultural differences among people could be responsible for conflicts and hatred. In this approach, it can be explained that people would prefer to be surrounded by their own kind rather than be exposed to “strangers”. Defining a group of people as “un-belonging” to the national “we” deprives them of the right to belong. Much of this is also absent in South Africa.

The third approach, termed phenomenology, attributes xenophobia not to economic strains or cultural divergence but to general attributes of society. When society experiences deep crises, which occur intermittently, anomic tensions encroach upon social postures.

This leads to a crisis of collective identity “so that the calm self-certainty which might enable unproblematic relations with the minorities gets lost”. Under this approach, xenophobia is interpreted as a way of reassuring the national self and its boundaries, as an attempt at making sense of the world in times of crisis. This could be happening to indigenous South Africans.

To start with, the impeding fallout between President Thabo Mbeki and Africa National Congress (ANC) leader Jacob Zuma could be disillusioning to many ordinary citizens of African descent.

Many of them subscribe to ANC with a passion yet they find themselves on the sidelines when major party decisions are being made. At the same time, they have not benefited from the economic prosperity of their country.

Many South Africans still live in squalid conditions and the dream of land reform has turned into a pipe dream. These issues run so deep in their collective psyche that they need reassurance of economic and social survival. But they are directing their anger at the wrong enemy.

Many of the low class Zimbabweans, Malawians, Zambians and nationals of other countries are escaping economic hardship and political violence which South Africa has refused to acknowledge as a problem, especially in Zimbabwe.

They should commit themselves to assisting them to the best of their capacity. And this applies to other countries with a chance to host other Africans in need of refuge and sanctuary.

About The Author: Graeme Briggs-The writer is a Research Fellow at Institute of Anthropology, Gender and African Studies, University of Nairobi

Demonizing the Other: Antisemitism, Racism and Xenophobia (Studies in Antisemitism)

Popularity: 31% [?]

Sphere: Related Content

Yes Africa Can: An African Talks To Barack Obama

Tags: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,


What Barack Obama Can Do For Africa — and Vice Versa

The first time Barack Obama came home to his father’s village of Kogelo in western Kenya, it was as a 26-year-old backpacker exploring his family roots. In 1987, he and half-sister Auma rode a dilapidated old bus from Kisumu, the provincial capital, 60 miles away. As they lurched along dirt roads, a couple of chickens nestled in Obama’s lap and mothers passed wet babies back and forth to the two young visitors.

Obama spent his time in Kogelo, a small rural village where people grow maize and raise cows, getting to know his grandmother Sarah Hussein Obama and wandering the fields and dirt lanes his late father had walked as a boy and had returned to after separating from Obama’s mother, an American, when their son was just two…..[MORE][MORE VIDEO]

Popularity: 32% [?]

Sphere: Related Content

Focus on Meiway - The genius of ‘Bassam’

Tags: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,


Meiway (Frederic Desire Ehui) a.k.a “Monsieur Zoblazo” or the “Genius of Bassam”; was born on March 17th, 1962 in Grand-Bassam, a coastal town west of Abidjan, in the Ivory Coast. His signature music style is “Zoblazo,” a catchy rhythm from southern Ivory Coast. Read the full story

Popularity: 29% [?]

Sphere: Related Content

Translate to EnglishÜbersetzen Sie zum Deutsch/GermanПереведите к русскому/RussianΜεταφράστε στα ελληνικά/GreekVertaal aan het Nederlands/Dutchترجمة الى العربية/Arabic中文翻译/Chinese Traditional中文翻译/Chinese Simplified한국어에게 번역하십시오/Korean日本語に翻訳しなさい /JapaneseTraduza ao Português/PortugueseTraduca ad Italiano/ItalianTraduisez au Français/FrenchTraduzca al Español/Spanish

Donate To The Obama | Biden Team
Donate To Barack Obama | Joe Biden

Your Vote Counts!
Click here to register to vote. Your vote counts!

Recent Page Hits




MyBlogLog Community




Join My community

Our Photos - @ Flickr | @ CA Galleries

Site Sponsors

Information

Advertisement



Partners





pingoat_8.gif
Top 100 - Marketing
Politics blogs
Top Blogs
Blog Directory & Search engine
Top Politics blogs
Political Topsites
Blogarama
Afrigator